Tuesday, May 19, 2015

DIRTY REGGAE PUNX INTERVIEW/ SHOW REVIEW/ ALBUM REVIEW by Colin Mulholland

JUNE/ 11'th 2014 5:36 PM
Was the time and date as I stared at the screen on my phone looking at the icon on my facebook stating "One new message." My heart beat was increasing, as I feared the response that followed my prior question of an interview. And why, why all the anxiety? Because besides the fact that this band was amazing already, but because the man to be interviewed was Punkrawk Kelly, the current touring Bassist for Green Jello! The band of whom brought us "Three little pigs" and "Anarchy in Bedrock". I remember the moment I saw the "Three Little Pigs" video, my brother Daniel had said to me "Dude you gotta check this out!" So I watched and fell in love with the comedic metal tune and the music video (animated by Mayanard James Keenan of TOOL) so as you can tell I was a super huge fan. As I opened the message I started to sweat, as it was loading every possible answer ran through my head. Then the moment of truth came as the words "Fuck yeah brother. Anything you need man we would be happy to do an interview." And all rejoiced, and by all I mean me. After a few weeks of conversation and so on this was the product of it all, I hope you all enjoy this biggest CPRC story so far.
INTERVIEW:
1.) CPRC: Firstly I would like to thank you guys for the honor of allowing me to interview you, it is a privilege and I feel I should be bowing down and screaming "I'm not worthy!" like Wayne and Garth to Alice Cooper Lol.
PRK: lol.... I just watched waynes world about a week ago when I was making cd cases.... I appreciate the compliment!
2.) CPRC: What came first, the GWAR egg or the Green Jello chicken? During the point in time in the ninties when GJ was at it's hay day you guys and GWAR had the puppet and costume thing going on and the VHS film thing was popular amongst the two bands as well. Was there a collaborotive process between both bands or was it just a coinsidence? And speaking of GWAR how did you feel about Brockie's passing this past year?
PRK: When green jello started it was 1981 and Bill Manspeaker was in high school. There was alot of collaboration between jello and gwar for many years and the friendship between two of the greatest shock rock bands in punk/metal history will never die even tho the collaberations arent as frequent any more.... as far as Brockie's death goes.... that was a sad day in music history for anyone who grew up with gwar.... he will be forever remembered and always missed by fans and friends alike!
3.) CPRC: Dreadlocks, now I know the Ska/ reggae revival was becoming big amongst the Punk rock scene in the early ninties with bands such as Sublime, Rancid, NOFX etc... (Propagandhi wrote a tune noting their dislike for the scene in 1994 called "Ska Sucks") But also people like Dexter Holland (The Offspring) Eric Melvin (NOFX) and a splash of a few others had them as well (Especially Fat Mike in 1997 around the time of "Heavy Petting Zoo") was this all because of the ska/ reggae influence or was this just a sweeping trend back then?
PRK: Dreadlocks. ... haha I have dreadlocks cuz I got tired of putting up a 14" mohawk to go to a show..... to high maintenance so I went to a dreadhawk which is no maintenance! As far as the ska movement in the early 90s, that movement changed my life forever. "40oz to Freedom" by Sublime to be exact. Which in turn turned me on to this and that along the way. NOFX, Rancid, Pennywise, The Mighty Mighty Bosstones, Skankin Pickle and many more. (Too many to name) Trend or not that was my influence and it never left me!
4.) CPRC: If I could ask, and if you can answer to the best of your ability. I'd like to ask a little bit about the "Anarchy In Bedrock" lawsuit. Being a punk online zine I feel that not much has been touched on the matter and being a Sex Pistols Parody I'm intrigued on how such a great song was never really recognized by The Pistols but yet Hanna-Barbera who makes/ made a fuck load of money and shouldn't get real uppity over a genuninely creative song, had the time and day to slap some stupid lawsuit on the band because of likeness rights. And I'm sure it was a depressing blow being I'm sure you guys were huge fans of their cartoons as everyone including myself are.
PRK: I was a big fan of the flintstones as well as other Hannah-Barbera cartoons. Although that was definitely before my time with jellö I dont have the right answers to lawsuit questions and those would be better directed towards Bill.
5.) CPRC: During your time in GJ what can you say was your favotie memory. Who were some of the other artists you guys associated with, and what was Mayanard James Keenan like? (I'm an advid TOOL fan)
PRK: I have lots of favorite memories with GJ. My wife and I were married by the cowgod once at the house of bricks in Des Moines. FIRST EVER Jellö wacky wedding. Any time jellö hits the road its a party. Never a dull moment. I have never met any of the original members including tool! All of that was before my time. I am number 343. I hope to cross payhs with everyone but we are all busy and the guys in DRP (MN max and Rub and myself) are just focused right now on the Throbbin The Woods tour and new album! We would love to hook up with jellö during the meet and greet Khaøs tour and do some double shows this year but with everything going on we havent worked out any major details. Lets see where this new album takes us. We will always be Jellö for jellö is something you are not something you do. Anytime we can share a stage with a great inspiration, friend and mentor like my Buddy Bill we will be there! You know nothing beats a punk rock puppet show!
6.) CPRC: Now your current project DRP, how did you guys form and how long have you guys been jamming?
PRK: DRP formed several years ago as I wanted a change of pace from the local scene and there arent very many options where I live. I have went through a few band members over the years as we played with what was the right sound. I had people run in every direction when I told them what style I wanted to play and had almost given up. Put the project on hold for awhile and just did solo acoustic stuff for awhile. Then bam it all came together. MN Max and I had talked about doing an old ramones tribute thing and had been discussing collaboration when Rub finally gave in and decided to try drumming for us to pick up an extra project. We all come from very different musical backgrounds and that collaboration and multi genre influence has molded us today. We learned a bunch of cover tunes and started playing in the local bars in January of 2013 and we added a member on a 2nd guitar for awhile until he had to part ways to do his thing too! So we went back to a 3 pc last fall and took a break. I did multiple jellö tours and also played bass in Primer 55 for a few tour over winter while we wrote and prepared to record Throbbin The Woods. In March of this year we started production and I started booking this tour. The rest is history in the making!
7.) CPRC: You guys have a new record out as well, how well has your guys' music been received by fans and especially the fans of GJ?
PRK: The new album "Throbbin the Woods" has only been out officially to the public for a week. (As of the writing of this article) We have played the tunes regionally and in an area that does not embrace original music and especially not punk/reggae/ska we have done exceptionally well. We have built quite a regional fan base and the jellö fans and other fans have been super supportive. We feel very fortunate to have such a great tour underway and some great clubs. We are suoer stoked for the future and hope our music can please the masses as we do write a bit of a real life approach with a humorous twist and our own style blended to be songs most peoe can relate too.
8.) CPRC: Your guys' upcoming show at Just Jules is said to be last of a string of touring this year (or so it's rumored) what's the next move for you guys? What's the biggest picture looking like?
PRK: nope not the last of touring for this year but the last stop on this june tour. We are a blue collar family based band. Rub has recently just had a son with his girlfriend and we want to spend some time in a Minnesota summer with our families as it is the best time of year around here. We plan on doing more touring in fall as well as winter and spring... we were thinking 4 major tours for this album on what we can get booked and a bunch of regional stuff in between as well as jello shows scattered throughout. Lots more writing as there is some works on 2nd album already but being focused on this tour and album we will focus more on that at a later date. Big picture is if you book us we will come. We play anywhere people want to have fun and embrace chaos
9.) CPRC: Your guys' influences range a span of various punk rock/ reggae/ and metal artists. Out of those are there any of them you guys have met/ or shared the stage with? If so please state whom, and if not who would you guys like to share the stage with?
PRK: I have met so many inspirations along the way doing charity work as I promote music therapy for injured veterans. Slightly stoopid is one of the biggest inspiration and I hope someday to be able to share a stage with them. Also met greats like hank 3, charlie daniels, aaron lewis, sevendust, and shared stages with psychostick, angelo moore of fishbone aka dr mad vibe, jellö primer 55 and many more.
10.) CPRC: Besides GJ you were in a couple of other bands as well including Primer 55, what was that experiance like and what were the other band's experiances like as well.
PRK: All of my experiences have been great and I have been ho ored to work with some great musicians. Bill Manspeaker with jellö has been a mentor and has taugjt me so much. I wouldnt be who I am on stage today if it wasnt for his influence on me. Working with Bobby in primer 55 was great but I was just to far away... the whole band he has now is fantastic and I hope to cross oaths with them more. ‪#‎FFL‬
11.) CPRC: What has touring been like for DRP?
PRK: so far so good with touring with my boys. The most solid rhythm section I could ask for. Always just having fun
12.) CPRC: Over the decades you've been playing as a musician what's the one thing you hold seldom about it all? What's the drive that keeps you playing the music you love soo much?
PRK: The fans are the drive.... I love to entertain. I feed off the energy of a crowd having fun like any musician. But I love meeting new people and I hope I can have the same influence on future generations that greats like GJ and sublime had on me and many of their fans.
13.) CPRC: It has been a really huge honor to talk to you, and again a thousand times thanks. I can't wait to catch your show and buy some merch!
PRK: Its been great man, thanks for the interview. Can't wait till we see ya at the show. DIRTY REGGAE PUNX COMING SOON TO BE THROBIN IN A WOODS NEAR YOU!
At the time of the interview, the album had been released on that Friday. Then came the shittiest part, the three week wait til' the show on the 28'th (June). As the time came closer and closer I became more fixated on getting this show out to people. I created a flyer representing both Bloodtied and DRP's performance for that night, in return Gundy (BT) used it as his main pic for his personal facebook page.

It was about 7:55pm when I arrived to Just Jules Bar and Grill on Centerpoint Road on my seatless Mongoose bike. I had arrived early for it had started to fucking rain way before I decided to leave. It was a little past eight when the bands arrived. The first person to greet me was good old Gundy with a big handshake and a "Gonna be an awesome show man." I proceeded to head to the pisser to bleed the lizard (no lizards were actually harmed it's just a figure of speech) when I came back out of the bathroom I walked up to whom I thought was Punkrawk Kelly but was actually their awesome drummer Rub 1. From there PRK revealed himself and released the cracken like dreadhawk. After a few "Hello's" and "How was the trip up? (In reality it was "Hveagoodtrpup?" being nervous and all) For nearly an hour I sat and ate mozerella sticks and cheese fries waiting for the show to begin at what was scheduled to be nine pm but ended up being ten pm since there was only two bands.
This guy felt soo out of place at first being that ONCE AGAIN since most of my friends are either under 21 still, or just plain don't exist somehow made me feel like I was back in middle school again. The people were kind of in their own worlds of soft chitter chatter as Pantera, Down and others blared from the digital juke box. Then came PRK breaking my tension with a knife saying "Yo let's gets some air man" and we headed out the door of Jules and stood outside chatting about influences, his time in Primer 55 & Green Jello, and personal experiances from our lives. It was nice to finally just get personal with the guy whom just three weeks before I never even knew except over a facebook world.
Finally ten'o'clock arrived and Bloodtied took the stage, Gundy up on stage screaming into the mic like his lungs were on fire. He is truly an amazing fucking vocalist. During their cover of Lamb of God's "Laid to rest" he passed me the mic and I got to scream said laid to rest. After they closed up with "Downfall" much praise was given, so on and so forth. Started chatting up BT guitarist Cole for a bit, telling him how great I think they are and to which he replied "Yeah but I think we're better at jamming then actually writing songs " To which I say if the two performances I've seen them do were improved jam sessions then I say fuck it, they're the best jam band that plays metal I've ever seen.
Right about this time DRP has taken the stage and are setting up for sound check, they do a small test number and I was already skanking like mad even though I was the only mother fucker on the dance floor. The first half of their set was various older tunes of theirs and covers, to which when they started playing "Bob" by NoFX after I shouted "oioioi" for absolutely no reason at all, I was so over come with the punk rock spirit I had to jump on that fucking stage and scream along with PRK singing "Now what's Bob gonna do now that he can't drink? OIOIOI!" then jump back down. It was amazing! Probably one of the most moving things to ever happen to me. For you see, I have never been to one Punk Rock show, why? Cos' I live in fucking Iowa that's why.... enough said right there.
The idea a Punk Rock band of ANY sort was there playing a punk rock cover almost felt like they were really NoFX. And when they played "Time Bomb" by Rancid (To which PRK dedicated to me cos' I was wearing a Rancid shirt that night saying "This ones for our new friend Colin"), "Date Rape" By Sublime, and "Kiss me where it smells funny" by Bloodhound Gang, it felt all too like the real thing. Then came the cover of "Three Little Pigs" by Green Jello, (See video I posted earlier this week) I have never had the mic passed that much to me ever. It felt too much like a dream that finally came into reality. It was the funnest night I had in awhile. After the show, merch and the album was purchased, goodbyes were said and I headed home to go shower then to bed. The next day I awoke in soo muh fucking pain, usually for me that means I had fun, if I'm not that way then the show fucking sucked. I grabbed the cd and started listening to it. I listened to that bastard over and over and over again until Tuesday night where I finally sat down and wrote the review. This was what I thought and how I felt track by track, ENJOY!

ALBUM REVIEW:
1.) "DRP Anthem": Personally I have always found band theme songs rather cheesey, but this tune was quite amazing, for the sake that it's a pretty hard hitting track. It really reminded me of an early 311 song, and those were probably some of 311's best songs, so that's a huge plus. Also it's just a great opening song from beginning to end.
2.) "Insane In The Brain" (Cypress Hill Cover) I've always been a Cypress Hill fan ever since Tim Armstrong of Rancid did a song with them called "What's your number?" (with the background score sample being "Guns of Brixton" by The Clash) I was pretty hooked. From the time this song starts til' it ends DRP just brought it. It's one of the songs I cannot get the fuck outta my head.
3.) "Brown Seed" Sadly this one was my least favorite off the album, Not in the sense that it was a bad song cos' It was a good song no doubt, but I just thought it was a rather slow tune for my taste. But much like Bad Brains and Sublime before them most Reggae/ Punk records have to have at least one legit slow reggae tune and for that I give this song it's due.
4.) "Random Morning Thought" As a straight edge dude I've never smoked marijuana in my life. But I have friends who do, and with that in mind I say that this was a great tune about why pot should be legal. Especially on the grounds of big corporations such as big pharma putting in ingredients that only make more side affects then cures. So the legalization of marijuana in the case of helping people with medical problems would be a great benefit. Now I'm not so sure about the idea of letting kids use legal marijuana for mental disorders but I do agree with the line in the song "Kids don't need that Aderol cos' they made up ADD." This was my second favorite song to hear live, it's a good medium speed skanking song.
5.) "Grown Up Stuff" THIS! Was my favorite song to skank to live! Also my favorite song to hear live. Just a great up tempo tune about the so called things people "Have to do" after high school like go to college, get a good job, blahblahblah. Just a cool "Fuck all that" tune. Going on to my BMXing playlist once I get an ipod.
6.) "King of the Murder" still haven't been able to make out alot of the words, but from what I could tell it's a parody or fan fiction stylee of The Simpsons. Being that the song and chorus contain samples of clips from episodes. Just a clever tune all around.
7.) "No Rest" What I got out of this song was bassically a call for a revolution against alot of the bullshit we are currently facing in America. Inflation in taxation, bullshit politics you name it. There will be no rest til' we make things whole again.
8.) "Summertime Sunshine" I liked this song because it was an easygoing song to kind of just sit back and vibe on. I love PRK's lyric spitting on this. Almost like his mouth is on fast forward for every word he spat during the verse. Overall it was just a "Hey ya'll we're just like you folks everywhere else in America, we like to chill outside during summer and grill, drink beer, and stare at bikini butts" I identify with that being from the midwest as well. Sept the booze of coarse lol.
9.) "Poison In My Veins" Something tells me there is a bit of personal experiance in this song. If not that then certainly some outsider perspective of one's personal experiance. "Feel like I'm fourty when I'm only twenty years old" was a real hard hitter to me. I really felt the emotion and I it really hit me cos' I'm only 22 years old and can only imagine what kind of problems a 20 year old person coud be having to feel like they're fourty years old. Mostly drugs I 'spose.
10.) "Zombie Raccoon" Punkrawk Kelly: "One day me and my kids were driving down the road, and there was a dead raccoon on the side of the road. You see millions of these fuckers allover town, and one of my kids says to me 'Hey dad what if it came back to life and was a zombie?' 'I don't know' I replied 'Anything possible' "
11.) "Appademic" My favorite song right next to "Zombie Raccoon", because it's a song about how Apps are becoming so huge now days with people who have smart phones and Iphones. Talking to Kelly a few weeks back I told him I really loved this song because of my dislike of all these people who are soo obsessed with phone apps, skype, tumblr and so on and how I still have a pretty dinosourish phone that just calls, texts, and gets limited internet because it gets me by so I'm satisfied and that I don't need all that other shit, he admitted to me that agreed but he himself is still a sucker for alot of the stuff on his phone lol. It really does help ask the question "Okay how much is enough?" You listen to everything he lists in the lyrics and it's like..... fuck.
To those who haven't checked them out yet do so now:
(https://www.facebook.com/pages/Dirty-Reggae-Punx/349067678544176)
And be sure to like their page, hit them up for a copy of their new album out now only $5.00.

(Flyer from the show)
 

HOG HOGGIDY HOG INTERVIEW by Colin Mulholland

HOLY CRAP IT'S BEEN AWHILE! A series of unfortunate events transpired causing CPRC to be shut down.... BUT WE'RE BACK! And I present to you my interview with HOG HOGGIDY HOG's George Bacon! Enjoi! -Colin

1) Firstly I'd like to thank you all for giving me the chance to interview you guys, I really dig your music especially "Great Heart" I have that song on rotation to the point where I can't get it out of my head. Alrighty So please tell the readers where you guys are from and who's all in the band and how long has the band been together?
George: Hey Colin, thanks. The song Great Heart is actually a cover of an 80’s song by a fellow South African artist Johnny Clegg. It’s been changed a little to suit our style, but we’d hate to take all the credit for it. We are from Cape Town, South Africa. The band has been around since 1995 and consists of me (George Bacon – vocals), Amos Keeto – guitar, Sean Snout – bass, Sean DV – drums, Lee Lips – trumpet and Ross McDonald – trombone. Apart from our drummer who’s been with us for the last 6 years, we are all original members.

2) I first heard you guys and saw you all on the "Punk In Africa" documentary to which I thought was just an amazing documentary all around for I really had no idea how many actual bands and of a scene there actually is in South Africa, the only real exposure I have had in the past was when NOFX did the episode of "Backstage Passport" and to be honest that wasn't very much, so in hindsight this is a very huge honor to be talking with you guys today.
George: Thanks, Well Backstage Passport was a series about Nofx and a lot of things in it about South Africa and our scene were left out or even slightly embellished to make it more entertaining TV and that is fine for what it was. Punk in Africa, while not being quite as funny, is a documentary whereby the star of the show is punk music in Africa so it tends to take a much less artistic license with the facts.

3) Your album "Oink" has officially been out for ten years now, how does it feel to know your record that only had been released in your country ten years ago has finally been picked up and loved by the whole world?
George: I don’t know, is it? Oink was a relatively successful album in South African terms, so we’ve already gotten a lot of love from it at home. We did tour it a bit in Europe and we seem to have a bit of a following in South America but if it’s been picked up and loved by the whole world now, that’s awesome. Although I’m gonna have to take your word for it.

4) On the documentary and in some of your songs you really show a huge admiration and just overall love for your country, even with all the political problems after the fall of the Apartheid, one thing I've noticed as an American, most punk rock bands just take what they see from FOX News ABC News and so on, and especially with our current administration being so on the verge of corruption, take all the negatives about the government and just place their hatred on the country as well. They don't come to the reality that it's the government not our country, and that is what I admire about the African Punk scene, they don't let what evil the political powers that be bring down who they are and make people want to hate, if at anything they choose to be positive and make this amazing music that is mainly inspired by the fact that their African heritage is what makes them who they are. Is that why your music is so uplifting?
George: Firstly I need to point out that our country had a lot more political problems before the fall of Apartheid than it does today. Not that it’s without out its problems now, we know there are still a lot of issues we face like poverty, inequality, education, racism, crime…etc. But after having traveled the world quite a bit, there is a certain sense of freedom that you can only get from living in Africa and in spite of all we don’t have in comparison, I still feel privileged having been born an African. If that somehow comes through in our music and is interpreted as being positive and uplifting then that is awesome.

5) When and how were you approached to do the Punk In Africa documentary? What was that experience like?
George: I can’t remember the exact way we were approached; I guess it was pretty informal. We met the director, Keith Jones while they were initially researching the documentary and we became good friends over the years. Keith lives in Prague, but he knows more about South Africa and its music than Google does. I learnt a shit load from about my own country from Keith and this documentary. Even some of the bigger bands that have been around since the 90’s were mostly unaware of scene in the 70’s and 80’s. Plus it has also created awareness for African punk and ska, not only in the rest of the word, but also in Africa. Until this documentary we were largely unaware of the scenes going on in other African countries.

6) During your guys' almost two decade career who are your influences and have any of them came to play South Africa? And if yes have you ever gotten to share the stage with them?
George: Our influences are quite varied between each member from Operation Ivy and the Clash to Police and Primus to Slayer and Entombed to Hugh Masekela and Chet Baker. We’ve had quite a few international bands that were brought to South Africa by a company called Punk Safari. We got to play all of these shows (except The Exploited which we couldn’t do because one of our guys was out of the country). So we’ve played with bands like Nofx (once in Cape Town and once in Slovenia), Lagwagon, Mad Caddies and played festivals in Europe with bands like Bad Religion…etc. Mad Caddies were really cool to hang out with because there are a lot of similarities between us. They are all the same age as us, been around for the same amount of time, have the same line-up of instruments in the band as us and they also have a lot of the same influences as us.

7) This is not only a question for myself, but I want allot of my readers to get a little more exposure as well, what is South Africa, or even The whole continent of Africa for that matter like? What are the truths and myths about your country? What does the country mean to you?
George: I can’t really comment on the continent as a whole as I haven’t even been to half of the countries in it and the places that I have been were vastly different from one another other. I guess we can say then that one myth about the continent of Africa is that all its countries are the same. South Africa has a lot of open land (mostly made up of farmland and nature reserves) so most of the population live in and around a couple of major cities. These cities are very similar to cities found everywhere else in the world. Our country is made up of a multitude of different languages, ethnicities, cultures and belief systems, which often clash and contradict each other. This combined that with our complicated history and indoctrinated prejudices from all these various cultures means that life in South Africa is an extremely intricate balancing act of misunderstandings, tensions and compromises. We have 3 capital cities, 11 official languages and our president has 4 wives. Being a South African is far from simple, but at least no one can say it’s ever boring.

8) Have you ever had to bail out of a gig because of violence inside or outside of a show? Especially with allot of the on going violence and oppression that has been going on over the years? If so in your own words what happened and why did it happen?
George: Not that I can recall. For the most part, we live pretty normal lives in South Africa. We haven’t really had an oppressive government here for 20 years. Our country is still quite a violent one at times, but most of this is crime related. Occasionally there is politically motivated violence that takes place at protest marches, strikes, political rallies, etc. but I can’t think of any instance where this has affected one or our shows (or any other shows for that matter).

9) Have you guys toured the United States yet or hope to?
George: No we have never toured the US and of course we’d love to, it’s just not very easy to get to from all the way down here.

10) How many total albums have Triple H released over the years, and are there any of them that you like better then the next?
George: We’ve released 7 in total, but only 4 of them were full-length albums. Working on the 5th at the moment. Honestly, I like them all for different reasons. Fishpaste & Vibe was our first and the songs weren’t all that good and neither was the production, but it was our first album so I like it for sentimental reasons, Driving Over Miss Davie was terribly recorded. We wanted to capture the energy of our live show on the recording so we all got drunk in the studio before we laid down our parts. As you can imagine the result was a lot of out of off key vocals and a whole lot of bad timing. It’s a pity though because the album had some really good songs. Oink! and Method to the Madness I like for different reasons. Oink! has better songs and the production is more polished, whereas MttM has more depth, attitude and a bigger production.

11) What's the future hold for Triple H? What's the biggest picture you are holding on to right now?
George: We’ve spent the last few years trying to make inroads into the European circuit. We’ve also been working on a new album, which we hope to release next year. Next year is also our 20-year anniversary so we’re going to go large. We are probably going to concentrate a bit more on South Africa and elsewhere on the African continent next year though as far as touring is concerned. Further than that, who knows? When we started out we didn’t expect the band to last more than a few months, now almost 20 years later, we’re still having the time of our lives and it doesn’t feel like that’s going to stop anytime soon.